RUN-DMC
RUN-D.M.C.
Future archaeologists will discuss two periods in 1980s: before Run-DMC and after Run-DMC. It's no exaggeration to say that the group changed the course of music in the '80s, bringing the old-school of rap into the new with one simple piece of flat, black plastic. Coming up in the rap world of the early 1980s under the wing of Kurtis Blow (group manager Russell Simmons managed Blow, and Run was, at one time, a DJ known as 'Son of Kurtis Blow') and Blow's bassist and burgeoning super-producer Larry Smith, the trio Joseph 'Run' Simmons, Darryl 'DMC' McDaniels and Jason 'Jam Master Jay' Mizell learned from the best, but created their own path. 1983 was the year that they first broke out. With only an Oberheim DMX drum program and some cuts by Jay, Sucker M.C.s (Krush-Groove 1) was a shot across the bow to the slick, post-disco pocket rap had settled into. It was raw, pure swagger and it took both New Yorkers and music aficionados around the world by storm. The song's lyrics are a mandatory memorization assignment to this day by MCs learning their craft. Two years ago, a friend of mine... The group's sound, which was laid out muscularly on Run-DMC, had a harder approach than their peers, thanks to producer Larry Smith's use of live musicians who laid down grooves but didn't soften the edges. Lyrically the group wasn't just about brags either, with songs like Hard Times, It's Like That and Wake Up (the first two were singles). Run's and DMC's overlapping tag-team approach to lyricism was powerful and immensely influential.
